"The truth is, women who write literary fiction frequently find themselves in an unjust world, even as young single women are outearning men in major American cities and higher education in the United States is skewing female. As VIDA, a women’s literary organization, showed in February in its second annual statistical roundup, women get shockingly short shrift as reviewers and reviewees in most prestigious publications. Of all the authors reviewed in the publications it tracked, nearly three-fourths were men. No wonder that when we talk about today’s leading novelists — the ones who generate heat and conversation and are read by both men and women — we are talking mostly about men.
“[T]he top tier of literary fiction — where the air is rich and the view is great and where a book enters the public imagination and the current conversation — tends to feel peculiarly, disproportionately male. Will the literary habits of a culture change as younger readers take over? Will more literary women be able to persuade their publishers to keep that photo of a longhaired young girl in a summer dress facing shyly away from the camera off their book jackets and replace it with a neutral illustration and bold typeface? Will VIDA’s statistics dramatically improve? And will “Women’s Fiction” become such an absurd category it’s phased out entirely? Maybe, in a more just world.”
-Meg Wolitzer’s "The Second Shelf: On the Rules of Literary Fiction for Men and Women"